摘要
"非虚构"写作于2010年经《人民文学》助推和引介,以一种否定性的姿态出现在中国当代文坛,对传统文学的写作方法和价值立场形成了巨大的冲击。"非虚构"写作有着极强的现实针对性,从传统现实主义写作到"非虚构"写作,不仅仅是一种历时性的文学生产方式的承续,更是不同时代背景下不同作家与社会和人生的对话,然而两者之间并不是一种完全对立的状态,而是存在着紧密的内在联系,正是由此现实主义写作的研究视域被进一步放大,在不断对现实主义当代流变的追溯中进而扩展到当下的大散文化写作,真正梳理出文学发生发展的内因与外因,从而引导当代文学朝着一个更加积极、健康的方向不断前进,不断在世界舞台上讲好中国故事,发出中国声音。
"Non-fiction" writing was promoted and introduced by People’s Literature in 2010 and appeared in the contemporary Chinese literary circle with a negative attitude, which has formed a huge impact on the writing and value standpoint of traditional literature. "Non-fiction" writing has strong pertinence, from the traditional realism to "non-fiction" writing, which is not just a continuation of the diachronic mode of literary production, but also a conversation between writers and life and society under different backgrounds. However, there is not a completely opposite state between the two. There is a close inner link, because of which the realistic writing research horizon is amplified. With the trace of contemporary realism rheological and the expansion to the current big prosification writing, the internal and external causes for literature development could be traced. Thus, contemporary literature is guided to move forward in a more positive and healthy direction to tell Chinese stories and make Chinese voices heard on the world stage.
作者
姜汉西
JIANG Han-xi(College of Chinese Language and Literature,Henan University,Kaifeng 475001,China)
出处
《唐山师范学院学报》
2020年第2期26-34,共9页
Journal of Tangshan Normal University
基金
河南大学研究生“英才计划”项目(SYL18060107)。