日本女性文学战争记忆中的“满蒙”叙事

The "Manchu and Mongolia" Narratives in the War Memory of Japanese Female Literatures

明治维新后,日本不断进行对外扩张,推行"大陆政策",期间新造了政治地理名词--"满蒙"。诸多日本女性作家旅行、旅居"满蒙"并以纤细笔触创作了众多相关文学作品。一些作品美化日本的殖民统治,丑化中国,渲染"五族协和",为日本的殖民统治服务,从中可以看出日本对外扩张政策在文艺领域的渗透。同时亦有作品对战争及殖民具有清醒的认识,批判日本发动的侵略战争,呈现中国人的善良与大爱,并表达了对日本民众战争认知及日本历史教育的忧虑。女性作家战争记忆中的"满蒙"叙事,从一个侧面透视了日本人的战争认识与历史认知。

After the Meiji Restoration,Japan actively expanded outward and implemented its "continental policy",and even coined a new political geographical term-"Manchu and Mongolia" during this period.At that time,some Japanese female writers traveled and lived in Manchu and Mongolian area,and created many related literary works.These works beautified Japan’s colonial rules,vilified China,and made propagandas for "five ethnics in harmony" to serve for Japan’s colonial rules.We can clearly find the Japan’s penetration of literature and art in their expansion policies.At the same time,many works with a clear understanding of the war and colonization,have criticized this invasion war launched by Japan,presented the kindness and great love of the Chinese people,and expressed their worries about the Japanese people’s perception of war and Japan’s history education.The "Manchu and Mongolia" narratives made by Japanese female writers presented the characteristics and the underlying reasons of Japanese war memory,and analyzed the war perception and historical cognition of Japanese people from another perspective.