摘要
新中国成立70余年来,"中原画风"的学术形象,由含混而逐渐清晰。现当代中国主流画派所产生的"携裹"作用,是"中原画风"发展的重要动力之一。对当代"中原画风"的概念、特征、提出时间、主要成果、发展阶段划分及旗帜性人物认定等方面的笺探与厘清,有益于在传播与接收层面强化其学术独立性。
Since the foundation of People’s Republic of China more than 70 years ago,the academic image of"The Painting Style of Central Plains"has emerged from vagueness.The"carry-in"effect produced by modern and contemporary Chinese mainstream arts is one of the important driving forces for the development of"The Painting Style of Central Plains".A research and clarifications of the concept,characteristics,time of proposal,main achievements,stages of development,and representatives of contemporary"The Painting Style of Central Plains"are conducive to strengthen its academic independence in communication and reception.
作者
郑志刚
ZHENG Zhi-gang(School of History,Nanjing University,Nanjing 210023,China)
出处
《大连大学学报》
2020年第1期130-135,共6页
Journal of Dalian University
基金
河南省教育厅哲学社会科学基础研究重大项目(2018-JCZD-016)。
关键词
中原画风
大力拓展期
持续迈进期
旗帜性画家
Painting Style of the Central Plains
Expansion period
Continuous progress
Representative painter