月亮、牢笼和人的“异化”——许鞍华版《金锁记》中小说意象的图像呈现

Moon,Prison and Human Alienation:the Image of Novel Rendered by Picture in Xu Anhua's Version of The Golden Lock

改编自张爱玲经典小说《金锁记》的舞台剧粤语版由许鞍华导演,在舞台上通过图像符号——肢体呈现、舞美灯光等对小说中的意象进行了还原,通过对比不同题材上的意象呈现可以看到不同载体对同一对象的表达差异,正是在这种差异之上,两个载体之间相互参照、彼此牵连,构成一个潜力无限的开放网络。

Adaptation of Zhang Ailing stage Cantonese version of the classic novel Golden Lock directed by Ann,through image symbols-the body appear on stage,lights on the image of the novel,such as reduction,by comparing the different image rendering on the subject can see expression differences of different carrier on the same object,it is in this difference,between the two carrier reference each other,each other,constitute a potential open network.