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伊莎贝尔的心路历程

Isabel's Mental Pilgrimage
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摘要 从弗洛伊德的人格理论出发分析小说《贵妇人画像》中伊莎贝尔的心理历程,可以看出伊莎贝尔的人格心理随着小说的发展经历了一个由低到高的过程。一开始伊莎贝尔的人格受“本我”支配,在这一阶段,伊莎贝尔遵循“快乐原则”,先后被不同的“力比多”能量驱使而逐渐走向悲剧。之后伊莎贝尔的人格发展为由“自我”掌控,遵循“现实原则”,开始认清并接受现实。在小说最后,伊莎贝尔的人格蜕变为由“超我”主导,遵循“道德原则”,从而实现了人格上的升华。亨利·詹姆斯作为心理描写大师,从弗洛伊德人格理论洞悉詹姆斯笔下的女主人公更能展现出人物的内心世界,凸显小说的主题。 An analysis on Isabel's mental course,who is the female protagonist of The Portrait of a Lady,from the perspective of Freudian theory of human psyche reveals that Isabel's personality gradually grows as the novel develops.At the beginning,Isabel's personality is"Id-oriented".At this stage,following the"pleasure principle",Isabel was driven by different"Libido"energies successively and thus was subjected to a tragic marriage.Then,Isabel's personality develops to be"Ego-oriented".Adhering to the"reality principle",Isabel starts to realize and accept the reality.At the end of the novel,Isabel's personality goes further to be"Superego-oriented".Abiding by"moral principle",Isabel attains a moral sublimation.As Henry James is a master of psychological depiction,a thorough analysis on the female protagonist created by him from the perspective of Freudian theory of human psyche will be more helpful to reveal the protagonist's mental world and the novel's theme.
作者 孙伟 SUN Wei(School of Foreign Studies, Anhui University, Heifei, Anhui 230601)
出处 《绵阳师范学院学报》 2020年第4期128-132,共5页 Journal of Mianyang Teachers' College
关键词 《贵妇人画像》 伊莎贝尔 本我 自我 超我 The Portrait of A Lady Isabel Id Ego Superego
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  • 1Arnold Kettle, "Henry James, The Portrait of a Lady," in The Portrait of a Lady, ed. Robert D.Bamberd, New York: W.W. Norton & Company Inc, 1975, p. 676-677.
  • 2[8][11]Anthony J. Mazzella, "The New Isabel," in The Portrait of a Lady, ed. Robert D. Bamberg,p. 598,p. 610,p. 612.
  • 3[5][6]Irene Ramalho Santos, "Isabel's Freedom: Henry James's The Portrait of a Lady," in Henry James's The Portrait of a Lady, ed. Harold Bloom, p. 118,p. 118,p. 117.
  • 4亨利·詹姆斯,《一位女士的画像》,项星耀译,人民文学出版社,1984年,第20页.以下《一位女士的画像》中的引文皆出自此书.
  • 5Loen Edel , Henry James: The Conquest of London 1870-1881, 2 vol. ,Harper &Row, Publishers,Inc. 1962, p. 422.
  • 6Henry James, "The Art of Fiction," in Henry James, Essays on Literature, American Writers,European Writers, New York: Literary Classics of the United States, 1984, pp. 50-52.
  • 7Dorothy Van Ghent, "On The Portrait of a Lady," in The Portrait of a Lady, ed. Robert D.Bamberg, p. 589.
  • 8[15][17][18]William Veeder, The Lessons of the Master, Chicago University of Chicago Press, 1975, p.160,p. 154,pp. 161-162,p. 165.
  • 9Henry James, "The Science of Criticism," in Henry James, Essays on Literature, American Writers,European Writers, New York: Literary Classics of the United States, 1984, p. 98.
  • 10T. J. Lustig, "The Chamber of Consciousness," in Henry James and the Ghostly, Cambridge University Press, 1994, p. 79.

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