论古希腊艺术两大核心理念的产生——以陶绘艺术的引领作用为视角的探讨

On the Emergence of the Two Core Concepts of Ancient Greek Art:From the Perspective of the Leading Role of Vase Painting Art

古希腊陶绘艺术的发展经历了两次技术飞跃,分别标志着艺术取材诗歌和取形自然两大核心理念的确立。黑像画法强调表现细部与空间,为表现诗歌场面提供了技术支持。泛希腊认同的需要与激烈的市场竞争促进了陶绘与诗歌的密切结合。红像画法比黑像画法具备三大优势,在表现手法方面探索了对自然的模仿,标志着写实主义风格的初步确立。陶绘艺术不仅在时间上最早践行了希腊艺术的两大支柱理念,更在内容、形式与技术方面影响了其它艺术门类,导致两大理念在整个艺术领域得以确立。艺术取材诗歌实际上是巧妙利用了诗歌已有的受众基础,艺术取形自然则是准确把握了受众的趣味。陶绘在整个希腊艺术发展史上担当了先锋的角色。

There are two core concepts of ancient Greek art:poetic motif and naturalistic modeling,which are established by two technical leaps in vase-painting.The black-figure painting emphasizes the details and spaces,so provides technical support for the expression of poetic scenes.The need for Pan Greek identity and fierce market competition have promoted the close integration of pottery and poetry,making the images of poetic motif an early advertisement.The red-figure painting explores the imitation of nature in expression,marking the initial establishment of the realism,so as to have three superiorities over black-figure painting.The vasepainting implemented the two core concepts of Greek art earlier,and influenced other arts in content,form,and technology,leading to the establishment of the two concepts in the whole art.Art takes poetic motif,so as to use of the audience of the poetry,while makes naturalistic modeling,so as to grasp the interest of the audience.Vase-painting is the pioneer in the history of Greek art.