摘要
依托艺术史发展的内部逻辑从相关概念、时代特征和历史背景入手,分析了立体主义和构成主义风格对直接金属雕塑的影响;通过对集合雕塑、超现实主义、抽象表现主义、极简主义等直接金属雕塑不同阶段的分析,得出直接金属雕塑的演变是一个可辨识视觉元素不断分离,不断割裂、不断加强反叙事功能,不断自我否定的过程。
Based on the internal logic of the flow of art history,this paper analyzes the influence of cubism and constructivism style on direct metal sculpture from the perspective of relevant concepts,characteristics of the times and historical context.Through the analysis of different stages of direct metal sculpture,such as collective sculpture,surrealism,abstract expressionism and minimalism,it is concluded that the evolution of direct metal sculpture(modern sculpture)is a process where discernible visual elements are separated and split,anti-narrative function and self negation is strengthened.
作者
黄起才
HUANG Qi-cai(Department of Fine Arts,Taiyuan University,Taiyuan 030032,China)
出处
《太原学院学报(社会科学版)》
2020年第1期139-145,共7页
Journal of Taiyuan University(Social Science Edition)
关键词
直接金属雕塑
结构
物象
Direct metal sculpture
structure
image