新主流电影的叙事规约与延展--以2019年国庆献礼大片为例

Narrative Rules and Extension of New Mainstream Films:Take 2019 National Day’s Gift Films as an Example

新主流电影是一种颇具中国特色的电影形态。献礼片作为一种典型的新主流电影,集中体现着新主流电影的规约性语境与延展性空间。由《我和我的祖国》《中国机长》和《攀登者》三部献礼片组成的"2019史上最强国庆档"再次刷新了人们对新主流电影的固有印象。作为一种主流电影形态,新主流电影在规约性语境中呈现出叙事的间性表征。作为一种动态开放的电影形态,新主流电影在延展性空间中呈现出叙事延展的向度可能。这成为我们探索电影艺术发展的重要途径,也是研究中国电影走出国门、傲立世界、实现文化强国之梦的可行路径。

The new mainstream film is the one with Chinese characteristics.As a typical new mainstream film,gift films embody the prescriptive context and extensible space of the new mainstream film."The strongest 2019 national day archive in history",composed of"My Country and I","Captain of China"and"Climber",refreshes people’s inherent impression of new mainstream films once again.As a form of mainstream film,the new mainstream film presents its narrativeinter-characterization in the context of convention.As a dynamic and open film,such movies entail the possibility of narrative extension in the malleable space.This is not only an important way for us to explore the development of film art,but also a feasible way for us to study Chinese films to go abroad,stand proudly in the world and realize the dream of cultural power.