虚构游戏中体验“真实的现实”——试论彼得·汉德克早期创作美学与真理观

Experiencing“Real Reality”in Fictional Games:On Peter Handke’s Early Creative Aesthetics and View of Truth

彼得·汉德克的早期叙事作品以实验性和颠覆性著称。他以游戏的方式徜徉于语言与文学传统之间,不断对传统叙事形式进行革新。但不同于“为形式而形式”,汉德克的每一种叙事方式都对应着一种“真实的现实”。他以文学创作的形式,邀请读者进入形式各异的虚构空间,使其获得对现实/真实进行体验和思考的可能。文章从汉德克的创作美学出发,分析其纷繁复杂的形式实验背后所奉行的文学理念,借以探求作品背后所蕴含的区别于绝对真理论的现代、后现代真理观。

Peter Handke’s early works are known for experimentation and disruption.He lingered between language and literary tradition in a game,constantly innovating traditional narrative forms.However,unlike“form for form”,each of Handke’s narrative methods corresponds to a“real reality”.In the form of literary creation,he invites readers to enter fictional spaces of various forms,so that they can obtain the possibility to experience and think about reality.This paper attempts to analyze the literary ideas behind the complicated formal experiments from the perspective of Handke’s creative aesthetics,so as to explore the modern and post-modern views of truth behind the works that are different from absolute truth theory.