摘要
自1980年代末开始,上海纪录片逐渐形成了自己的风格,获得了较高的收视率和观众的认可。海派纪录片有着鲜明的上海城市文化印记,更多地关注市民的日常生活,所传递的价值观都指向了对人们生活观念的贡献。在叙事策略上,海派纪录片更多地选择主人公世俗生活的状态作为呈现的素材,通过长镜头的运用和现场多角度中、近景切换,强调贴近性、现场感,形成了人们喜闻乐见的美学风格。
Since the late 1980s,Shanghai documentary has gradually formed its own style,and obtained the high ratings and the audience’s approval.Shanghai style documentary has a distinctive mark of Shanghai urban culture.It pays more attention to the daily life of citizens,and the values it conveys all point to the contribution to people’s life concept.In terms of narrative strategy,Shanghai style documentary chooses the state of the protagonist’s secular life as the presentation material.Through the use of long lens and multi angle medium and close range switching on site,it emphasizes closeness and sense of scene,forming an aesthetic style that people like to see and hear.
作者
王冬冬
WANG Dongdong(College of Arts and Media, Tongji University, Shanghai 200092, China)
出处
《同济大学学报(社会科学版)》
CSSCI
北大核心
2020年第2期48-55,共8页
Journal of Tongji University:Social Science Edition
基金
2018年度全国艺术科学规划课题文化旅游项目“基于城市文化建构的城市意象表达研究”(项目编号:18DY24)。
关键词
海派纪录片
及物性
城市文化
日常生活叙事
Shanghai style documentary
transitivity
urban culture
daily life narrative