摘要
姜夔的咏物词不对所咏之物作全面细致的描摹,而是以精练的语言概括所咏之物某一方面的特点,并且以所咏之物为“话题”拓展文思。这种创作手法与南宋画坛轻整体表现重局部刻画的创作理念存在相通之处。因此,我们可以从“双向互动”的角度理解姜夔咏物词与南宋绘画的关系。
JIANG Kui's ode to things does not give the things comprehensively description but generalizes the characteristics them and praise it in a refined language,which expands his literary thinking.There are some similarities with the creation of painting in the Southern Song Dynasty(1127-1276)that emphasizes the spot depiction rather than the overview.We can understand the relationship between JIANG Kui's ode and Southern Song painting from the perspective of“two-way interaction”.
作者
古亮
GU Liang(Chinese Academy of Social Sciences,Beijing 102488,China)
出处
《天中学刊》
2020年第2期99-105,共7页
Journal of Tianzhong
关键词
姜夔
咏物词
创作手法
“话题”性质
南宋绘画
双向互动
JIANG Kui
ode to things
writing devices
topic nature
Southern Song painting
two-way interaction