新类型公共艺术中的话语权力转移——以西湖国际雕塑展为例

The Discourse Power Shift in the New Genre Public Art as Exemplified by West Lake International Sculpture Exhibition

"新类型公共艺术"逐渐摆脱公共艺术的政治宣传诉求,艺术作品从单一的"言说者"转向"承载者",公众拥有了更多的艺术交互途径。这一转变过程展现了艺术话语权力由艺术家转移至公众的趋势。作为中国"新类型公共艺术"展览的典型,西湖国际雕塑展集中体现了公共艺术在中国发展的新阶段,呈现出艺术与江南地域文化相契合的态势。随着展览的推进,民众与艺术作品之间的关系更加紧密。西湖国际雕塑展不仅激活了地域文化记忆,而且也引领了公共艺术发展方向。

The new genre public art evolves from the original propaganda demands towards more interactions with the public and the role of the artistic work shifts from"the narrator"to"the carrier".This shift shows that the tendency of the discourse power of the art shifts from the artist to the public.West Lake International Invitational Sculpture Exhibition is a typical exhibition of New Genre Public art in the China.It embodies a new stage of the public art development and shows the agreement between art and the regional culture of South China.With the progress of the exhibition,the relationship between the public and the works of art is closer.It not only activates the regional cultural memory but shows the direction of public art development.