摘要
陈铨在诗集《哀梦影》中呈现出三种不同的叙事空间,分别是充满诗意的地理空间、孤独感伤的心理空间、色彩鲜明的图像空间。三种不同空间的互嵌,委婉含蓄地表达了陈铨对战争的控诉和对和平的祈盼。陈铨在《哀梦影》中运用丰富的想象和飞扬的灵感,也为诗歌涂上浓郁的个人的情感色彩和理想色彩,呈现出另一种抗战新诗。
In his collection of poems called Mourn Mengying,Chen Huan presents three different types of narrative space: poetic geographic space, lonely and sentimental psychological space, and brightly colored image space. The embedment of three different spaces euphemistically expresses Chen Quan’s complaints about war and his hope for peace. Chen Quan used rich imagination and flying inspiration in Mourn Mengying, and also painted a strong personal emotional color and ideal color for the poems to present another new poem of Anti-Japanese War.
作者
刘平
LIU Ping(School of Literature,Southwest University,Chongqing 400715,China)
出处
《四川职业技术学院学报》
2020年第2期58-63,共6页
Journal of Sichuan Vocational and Technical College
基金
国家社科基金重大项目“抗战大后方文学史料数据库建设研究”(16ZDA191)子课题“抗战时期大后方散文报告文学史料”。
关键词
《哀梦影》
抗战
地理空间
心理空间
图像空间
Mourn Mengying
Anti-Japanese War
geographical space
psychological space
image space