摘要
马克思主义辩证法对莫言的世界观和人生观有深刻的影响,辩证法不仅是他观察现实与人生的视角,还是他选择和利用乡土资源进行创作的重要方法,是他观照世界的一种审美方式。但莫言的辩证法思维又与马克思主义辩证法强调矛盾的对立统一不同,他以两元极致的构思结构小说,却不走向统一。在其构造的两元极致的紧张对立中,他突破了惯常的文化伦理、获得了叙述的快感,同时将由两极对立形成的巨大空档与痛苦留给读者去品鉴。
Marxist dialectics has a profound influence on Mo Yan’s world outlook and life outlook.Dialectics is not only his perspective of observing reality and life,but also his important method of choosing and utilizing local resources for literary creation.It is also his aesthetic way of looking at the world.However,Mo Yan’s dialectical thinking is also different from that of Marxist dialectics,which emphasizes the unity of opposites and contradictions.Mo Yan breaks through the usual cultural ethics and gets the pleasure of narration through constructing the extreme tension.At the same time,he leaves the huge gap and pain formed by the polar opposition to the readers to bear.
作者
张丽凤
ZHANG Li-feng(College of Humanities and Communication,Guangdong University of Finance&Economics,Guangzhou 510320,Guangdong,China)
出处
《石河子大学学报(哲学社会科学版)》
2020年第1期112-118,共7页
Journal of Shihezi University(Philosophy and Social Sciences)
基金
国家社会科学基金项目“基于媒介融合的文学生活研究”(17BZW069)
广州市哲学社会科学发展“十三五”规划委托课题“广州文学创作对本土生活方式的资源性开发”(2017GZWT27)。
关键词
莫言
辩证法
对话
叙述快感
Mo Yan
dialectics
dialogue
pleasure of narration