摘要
冯铿长篇小说《最后的出路》中的多声部话语历来被研究者所忽视。运用文本分析法对其进行重读,可见冯铿在"反封建"文化语境中进行创作的策略性及目的意识。将民国潮汕的相关史料与小说文本的社会描写进行"互文"性阅读,得以管窥20世纪20年代教会学校在潮汕地区传播过程中受到"反封建"及"民族主义"双重挑战的实质。
The multi-vocal discourse in Feng Keng’s novel Final Exit has long been neglected by researchers.This paper explores the strategic and purposeful consciousness of Feng Keng’s writing in the cultural context of"anti-feudalism"by using text analysis.Through intertextual reading of the relevant historical materials of Chaoshan during the period of the Republic of China and the social description of the novel’s text,we can have a glimpse of the essence of the dual challenges of"anti-feudalism"and"nationalism"faced by the missionary schools in the process of spreading in Chaoshan in the 1920 s.
作者
许再佳
XU Zai-jia(Party Committee Office,Hanshan Normal University,Chaozhou,Guangdong,521041)
出处
《韩山师范学院学报》
2020年第2期50-55,共6页
Journal of Hanshan Normal University
基金
2019年广东省普通高校青年创新人才类项目(项目编号:2019WQNCX078)。
关键词
冯铿
《最后的出路》
教会学校
民国潮汕
反封建
民族主义
Feng Keng
Final Exit
missionary schools
Chaoshan during the period of the Republic of China
anti-feudalism
nationalism