摘要
《文学回忆录》是以木心开设的文学史课程为基础形成的笔记,小众授课的私密性和非正式性,使授课者从传统课堂教学所秉持的中立客观的教学规范中解放出来,笔记内容带有明显的个人主观色彩。《文学回忆录》从向后看的文学史观、古典主义方法论和"大道至简"的审美理想三方面构建了木心的古典主义美学观。其古典美学观不是简单的回归传统,而是致力寻找古典与现代、新与旧之间的接合,建立既有传统底蕴又具现代色彩的古典美学文化。
Reminiscences of Literatureis a note based on the course of literary history offered by Mu Xin.The privacy and informality of minority lectures liberate the lecturer from the neutral and objective teaching norms that traditional classroom teaching upholds.The content has obvious subjective color.Reminiscences of Literature constructs the classical aesthetic view from three aspects:the backward view of literary history,the classicism methodology and the aesthetic ideal of"simplicity".Its classical aesthetics is not simply a return to tradition,but a search for the connection between the classical and the modern,the new and the old,and the establishment of both traditional and modern classical aesthetic culture.
作者
郑冬瑜
ZHENG Dong-Yu(School of Foreign Studies,Guangdong University of Finance and Ecconomics,Guangzhou,Guangdong,510320)
出处
《韩山师范学院学报》
2020年第2期91-95,共5页
Journal of Hanshan Normal University