摘要
法国现代剧作家让·季洛杜的《安菲特律翁38》以普劳图斯、莫里哀等人的剧作为蓝文本,在古希腊安菲特律翁神话的基础之上改写而成。通过一系列具有女性主义色彩的互文性改写,阿尔克墨涅的女性形象和男女/人神之间的权力关系发生了逆反性转变,原有神话和蓝文本被彻底颠覆和重构。《安菲特律翁38》不仅使女性回到戏剧舞台的中央,获得了独立思考和价值判断的女性意识,而且她所做出的伦理选择成为故事情节和人物关系的主导。同时,该神话主题在蓝文本和承文本中的演变还揭示出人类所面临的"同一性"断裂问题:面对信仰危机和战争阴云,季洛杜认为独立乐观的人道主义精神才是人类的最终出路。
The Amphitryon 38 by the modern French playwright Jean Giraudoux is a hypertext of the dramas of Plautus,Moliere and others,and rewrites,as such,the ancient Greek mythology of Amphitryon.Through a series of feminist intertextual rewritings,the image of Alcmena and the power relationships between man and woman,god and human beings undergo a transformative reversal,with the original myth and the hypotexts completely subverted and reconstructed.Giraudoux’s Amphitheatre 38 not only replaces woman at the center of the theater stage,but also concedes her independence in thought and value judgment.Alcmena’s ethical choices dominate the storyline of the drama and the relationship among its charactersr.At the same time,the evolution of the mythological theme across the hypotext and the hypertext reveals the identity ruptures confronting humanity.Amid crisises of faith and spectres of war,Giraudoux believes the ultimate way out for humanity is to embrace an independent,optimistic humanitarian spirit.
基金
福建省社会科学基金青年项目“米歇尔·梅耶的戏剧理论研究”(FJ2017C059)的阶段性成果.
