摘要
陈明是当代戏剧创作中“盐城现象”的代表剧作家。他始终坚持以“三农”题材为自己的创作方向,坚持与时代发展同步,为社会记录,为平民画像,为时代立传,创作了多部优秀戏剧作品。他的“三农”题材剧,形成了题材世俗化、故事大众化、风格轻喜剧化以及语言表达生活化等鲜明的艺术特征。
Chen Ming is the representative playwright and leading figure among the group of writers who represent the“Yancheng phenomenon”in the theatrical circles.His village-themed dramas vividly depict the changes of time,society,and farmers.His village-themed dramas are characterized by the secularization of themes,the popularization of aesthetic appreciation,the light comedy of style,and the humanization of linguistic expression.
作者
李晓
LI Xiao(Preschool Education Department,Yancheng Kindergarten Teachers College,Yancheng,Jiangsu,224005,China)
出处
《盐城师范学院学报(人文社会科学版)》
2020年第1期24-31,共8页
Journal of Yancheng Teachers University(Humanities & Social Sciences Edition)
基金
江苏省高校哲学社会科学基金项目“盐城现代戏创作研究”(2019SJA1783)。
关键词
陈明
“三农”题材剧
审美
通俗化
世俗化
大众化
生活化
Chen Ming
village-themed dramas
aesthetic appreciation
vulgarization
secularization
popularization
humanization