從伎藝話本到文體話本

The Scripts for Story telling:from Storytelling Skills to Literary Styles

底本、録本、擬編本代表了宋元時期與説話伎藝結緣的三種話本形態,其間藴含着從伎藝話本到文體話本發展的基本邏1和路徑,以及伎藝口演内容分解式文本化的演進過程。這種分解式的文本化,體現了口演内容從口頭形態轉化爲書面形態的矛盾衝突與碰撞調適,它作爲一種方式,寓含了一個立場,即基於書面編寫而對伎藝口演内容的主動性文本化意識;作爲一個過程,寓含了一個方向,即從伎藝故事負載的文本化向着伎藝體制負載的文本化的轉變。擬編本所表現出的伎藝體制負載的文本化方式,確立了朝着文體話本發展的文本化方向,並得益於宋元之際書面編寫領域重要變革的促進,引動了話本文體這一書面文體的出現。

Dibon,notebook and simulate text are three forms for storytelling novels during Song and Yuan Dynasties,and they represent an evolutionary process from storytelling skills to literary styles. The simulate text provides a useful way to progress to the stylistic storytelling novels,nevertheless,the eventual rise of the stylistic storytelling novels owes much to the deep reform which takes place in literary language during Song and Yuan Dynasties.