摘要
作为中国特色哲学社会科学的组成部分之一,中国文艺理论的构建亟需真正走出中西、古今与内外三重二元对立的窠臼,避免钟摆式的简单选择。就目前而言,我们在建构过程中不应或将西方文论漫画化为所欲批判的标靶,予以笼统否定;或将希望完全寄托于中国古典文论与西方文论的对话上,而有意无意忽略近代以来中国文论构建的诸种努力;或执迷于纯粹来自文学经验的文论,而排斥其他学科审视文学的洞见卓识等。我们应坚持构建既有继承性、民族性,又有原创性、时代性,还具开放性、包容性的中国文论话语体系。
As one of the components of philosophy and social science with Chinese characteristics,the construction of Chinese literary theory needs to really get out of the stereotype of duality between Chinese and western,ancient and modern,and internal and external,and avoid the simple choice of pendulum.For the time being,we should not distort Western literary theories into targets of criticism in the construction process and deny them in general;or place our hope entirely on the dialogue between Chinese classical literary theory and Western literary theory,intentionally or unintentionally ignore the efforts of constructing Chinese literary theory since modern times;or obsessed with literary theory purely derived from literary experience,and exclude other disciplines from examining the insights of literature.We should persist in building a discourse system of Chinese literary theory that is not only inheritable,national,original and contemporary,but also open and inclusive.
出处
《理论界》
2020年第3期89-94,共6页
Theory Horizon
关键词
中国文艺理论
构建
误区
Chinese literary theory
construction
misunderstanding