生产性保护视野下川东竹琴的传承创新对策

On the Inheritance and Innovation of East Sichuan Roneat Thom from the Perspective of Productive Protection

川东竹琴是川渝地区最具代表性的地方曲艺之一。2008年,川东竹琴被国务院列入国家级非物质文化遗产名录,为其生产性保护提供了机遇。作为国家级非物质文化遗产项目,川东竹琴不仅自身具备了生产性保护的条件和特性,而且外部的社会文化环境也具有潜在的市场需求。通过实施生产性保护,能最大限度地展现川东竹琴的经济、文化价值和艺术魅力,丰富人民群众的文化生活,满足精神文化需求,促进文化与经济的协调发展。川东竹琴的生产性保护应将竹琴表演与地方民俗文化有机结合,创新演艺内容和形式,加大宣传力度,营造良好的文化生态,政府出台相应政策法规,积极拓展农村演艺市场,将竹琴表演艺术融入城市建设、文化旅游、文化产业、群众文化等社会事业和经济活动中。

East Sichuan Roneat thom is one of the most representative local quyi in Sichuan and Chongqing. In 2008, east Sichuan Roneat thom was listed in the national intangible cultural heritage list, which provided opportunities for its productive protection. As a national intangible cultural heritage, east Sichuan Roneat thom not only has the conditions and characteristics of productive protection, but also has the potential market demand for the external social and cultural environment. Through the implementation of productive protection, it can show the economic, cultural value and artistic charm of east Sichuan Roneat thom to the maximum extent, enrich the cultural life of the people, meet the spiritual and cultural needs, and promote the coordinated development of culture and economy. The productive protection of east Sichuan Roneat thom needs to organically combine its performance of Roneat thom with the local folk culture, innovate the content and form of performance, strengthen the publicity, and create a good cultural ecology. The government should issue corresponding policies and systems to enlarge the rural performance market actively, and to integrate the performance of Roneat thom into the social-cultural undertakings and economic activity, such as urban construction, cultural tourism, cultural industry and mass culture.