场景论视角下的海外录制真人秀节目探析--以《奔跑吧》为例

Analysis of Overseas Recording Reality Shows from the Perspective of Scene Theory:Taking RunningManas an Example

近几年,电视真人秀节目多选择海外场景,成为业界一大突出现象。比较真人秀标杆节目《奔跑吧》从第一季到第七季节目中海外录制的部分和国内录制的部分,海外录制部分的收视率明显较高。从梅罗维茨的场景理论视角分析,综艺节目更需要海外场景的应用来帮助实现节目内容的本土化改造,更真实的表现或表演也需要不同的场景来展现。要提高海外录制真人秀节目质量,亟需电视工作者从节目的内容、形式、选址等多方面实践探索。

In recent years, reality TV shows have broken through the geographical limitations of recording scenes, and more choices of overseas scenes have become a prominent phenomenon in the industry. Compared with the overseas filmed parts and the domestic recorded parts of the reality show benchmark Running Manfrom the first season to the seventh season, the overseas parts’ viewing rate is significantly higher than domestic ones. According to Meyrowitz’s medium theory, variety shows require the application of overseas scenes to assist localization of the content of the program. More realistic performances or presentations need to be improved from different scenes. It is important for the television crew to explore the content, forms, and scenes, etc. so as to prove the quality of program filmed overseas.