退隐与回归:莎士比亚四大喜剧的路线认知图示探究

Withdrawal and Return:A Study of the Route Schema in Four Shakespearean Classical Comedies

莎士比亚四大喜剧的空间运行轨迹并非无足轻重的舞台背景,而是具有深刻的文学空间本体寓意。本研究以认知心理学的路线图示作为理论基石,探索莎翁经典喜剧的心理空间程式及其隐喻属性。研究发现,莎士比亚四大喜剧的主体退隐行为给饱受世俗观念煎熬的灵魂找到了一条通向绿色乐园或女性香闺的想象性出路,剧中意识主体也在自我和谐的心理氛围中回到外部世界。这种特殊的路线图式凸显了莎翁对精神游历的浪漫沉思,同时将文艺复兴戏剧“退隐与回归”的空间模式前景化。

The route of the spatial pattern in four Shakespearean classical comedies,does not just emerge as the trivial stage background in a traditional expectational horizon,but instead harbors symbolic meanings of the ontology in literary space.Theoretically based upon the rout schema in cognitive psychology,this research directs at the exploration in the psychological spatial pattern and its metaphorical features in four Shakespearean comedies.The withdrawal of the protagonists in the relative plays mentioned above,as this study exhibits,constructs for souls in the purgatory earthly world a fictional outlet towards the green fairyland or a female mansion,who return to the external world in harmony with themselves.Ultimately,this unigue route schema well illustrates Shakespeare's romantic meditation in spiritual journey and simultaneously foregrounds the spatial pattern of the“withdrawal and return”in the renaissance drama.