清代“《诗经》赋”创作初探

On the Creation of“Fu”of The Book of Songs in the Qing Dynasty

《诗经》入赋现象汉代已有,但大部分赋作只是化用《诗经》的意象或诗义。清代出现了一大批以《诗经》为写作客体的“《诗经》赋”,这些赋评述《诗经》的源流、《诗经》学史、《诗经》的政治功用、《诗经》的艺术风格等,体现了作者的《诗》学理念。“《诗经》赋”根底经史,呈现出学术化的特点,其背后有着“赋教”和“颂圣”两种倾向性。

The phenomenon of using The Book of Songs in the“Fu-style”poems has existed in the Han Dynasty,but most of the“Fu”only use the imageries or meanings of The Book of Songs.In the Qing Dynasty,there were a large number of“Fu”of The Book of Songs.These“Fu”comment on the origin of The Book of Songs,the history of The Book of Songs,the political function of The Book of Songs,and the artistic style of The Book of Songs.It embodies the author’s“poetry”philosophy.These“Fu-style”poems root in the Confucian classics and history works,which presents the characteristics of academicization,and there are two tendencies of edification and praise behind it.