摘要
莱蒙托夫创作的"海洋文本"计七十余种,体现着明确的欧洲(俄国)海洋地理语境与历史文明属性。莱蒙托夫的书写遍及海洋的光、色、线以及声音、动作特征,作品构造出一幅幅与文本情感底色相符的"海洋风景画",演奏出一首首表达人物情感状态的高低起伏的"海洋交响乐"。莱蒙托夫书写海洋的过程中,辅以奇异的想象与丰富的联想,常以人写海、以海喻人、以物衬海、以海状物,形成了莱蒙托夫语言系统中程式化的表达机制和独特的海洋话语,大大增强了"海洋文本"的生动性、整一性以及内在关联性,为俄国文学中的"海洋"图像注入了强烈的莱蒙托夫色彩。
Lermontov created over 70 kinds of"ocean text",with evident European(Russian)oceanographic contexts and characteristics of European(Russian)history and civilizations.Lermontov's writing is related to the features of ocean in light,color,line,sound,action,etc.His works are just"paintings of ocean scenery''reflecting the textual meanings and"ocean symphonies^^expressing the characters'emotional changes.With fantastic imagination and rich association,Lermontov,in his ocean writing,often compared human beings and things to the ocean,which became his special expression style and unique ocean discourse,greatly enhanced the vividness,unity,and inner logic of his"ocean texts",and injected a strong Lermontov color into the"ocean"image in Russian literature.
出处
《俄罗斯文艺》
CSSCI
2020年第2期4-13,共10页
Russian Literature & Arts
基金
河南省哲学社会科学规划项目"18-19世纪俄国文学海洋图像的生成研究"(2019CWX032)
河南省教育厅人文社会科学项目"俄国海洋文学中的普希金传统研究"(2020-ZZJH-309)的阶段性成果。
关键词
莱蒙托夫
海洋
地理
诗学
Lermontov
ocean
geography
poetics