摘要
从美术视角观照汪曾祺的文学作品,发现他在小说的语言、结构、情节以及人物描写方面都借鉴了国画中的留白艺术,常于无字处见深意,形成辞约义丰与意在言外之趣。汪曾祺在小说创作中融入留白这一中国传统艺术精神,与其美术背景及创作观念有密切的关联。
In his novels,Wang Zengqi uses the art of leaving blank in painting to design the language,the structure,the plot and the characters.The deep meaning is often seen in the blank,realizing the expression of meaning beyond words.This art of leaving blank in his writing is closely related to the artistic background and writing concept of Wang Zengqi.
作者
杨君清
YANG Jun-qing(College of Liberal Arts,Chongqing Normal University,Chongqing 401331,China)
出处
《河北北方学院学报(社会科学版)》
2020年第1期12-15,共4页
Journal of Hebei North University:Social Science Edition
关键词
汪曾祺
小说
留白
Wang Zengqi
novel
leaving blank