摘要
针对一件佚名道教人物像,赏其传神之精彩,析其流传之脉络,并以清代著名鉴藏家毕泷题跋为线索,析其时代特征,究其技法特点,并据史料所载及与道教重要道观——山西芮成永乐宫之纯阳殿壁画《钟离权度吕洞宾》相参比,断定此《吕圣祖像》不仅产生于金代,还探究其出自道教重要流派——“全真教”创始人王重阳之手。
In view of an unknown Taoist figure,by appreciating the splendor of its transmission,analyzing the context of its spreading and taking the inscription and postscript of Bi Long,a famous collector in the Qing Dynasty,as a clue,the author analyzes its characteristics of the times and studies its technical characteristics.Meanwhile,according to the historical materials and the comparison with the mural Zhong Li Judges Lv Dongbin in the Chunyang Hall of Ruicheng Yongle Palace,Shanxi Province,which is an important Taoist temple,it is concluded that The Portrait of Lv Dongbin is not only produced in Jin Dynasty during the period of the Qing Dynasty.And that the painting is also made by Wang Chongyang,the founder of Quanzhen Taoism,is also explored by the author as well.
作者
刘新岗
LIU Xingang(Calligraphy and Painting Art Museum,Hengshui University,Hengshui,Hebei 053000,China)
出处
《衡水学院学报》
2020年第3期103-107,共5页
Journal of Hengshui University
关键词
王重阳
《吕圣祖像》
道教
以画传教
Wang Chongyang
The Portrait of Lv Dongbin
Taoism
to preach by painting