中国当代小说中的声音叙事——以莫言、贾平凹、阎连科作品为例

The sound narration in Chinese contemporary novels——Taking Mo Yan,Jia Pingwa,Yan Lianke as examples

自中国小说出现以来,声音叙事一直是呈现故事、解读文本内蕴、表达作者观点的方式之一。中国现代文学发展至当下,莫言、贾平凹、阎连科这三位持续写作30余年的作家,在当代小说创作发展中共同构筑起现实与历史、城市与乡土、文化与传统等写作视域的坚实骨骼。他们都曾通过声音叙事来体现迥异的写作个性,展现出不同的文化意指和审美趣味。透过莫言、贾平凹、阎连科运用了声音叙事的长篇小说,可以发现声音叙事在具体文本中有着不同的输出方式。同时,声音叙事对于唤醒民间资源和文化传统、解读人性、填补历史空白、想象现实等方面也具有重要意义。

Since the appearance of Chinese novels,sound narration has always been an important way of writing in presenting stories,interpreting textual meanings,and expressing authors’opinions.Since the development of modern Chinese literature,the three writers Mo Yan,Jia Pingwa and Yan Lianke who have been writing for more than 30 years,have built a solid foundation for the writing perspectives of reality and history,city and homeland,civilization and tradition.They all present very different writing personalities through the sound narration,and reflect different cultural connotations and aesthetic tastes.Taking novels of Mo Yan,Jia Pingwa and Yan Lianke that use the sound narration as the central point of view as examples could explore the different ways in which sound narrations are presented.By the way,sound narration plays an important role in awakening the enlightenment of rich folk resources and cultural traditions,analyzing the role of sound narrations in interpreting humanity,filling historical gaps and imagining reality.