摘要
本次访谈探析了阿彼察邦电影中几个有特色的细节元素,如演唱、冥想、交通工具等,还就其电影中的时空处理、与当代艺术之间的关系等进行了深入分析,涉及了边缘化、"狂中之静",以及魔幻色彩的日常化等几个阿彼察邦电影研究中的重要话题。访谈中也对其提出的"有机"的电影观念进行了详细的探讨,所谓"有机"既是把电影本身看做一个实体或者生物,同时又是指创作过程,包括剧本、拍摄、声音、剪辑等。
This article is translated and edited from the exclusive interview with Apichatpong Weerasethakul in March 2019.During this interview,we talked about the sound,meditation,transport and other details in his films,and went deep into the time in his films,the relationship between his films and artworks.We also discussed"organic",which was his latest concept in film creation.I hope this interview would be helpful to readers who interested in analyzing Apichatpong Weerasethakul’s films in China.
出处
《电影艺术》
CSSCI
北大核心
2020年第2期106-111,共6页
Film Art