摘要
当下中国电影人物造型创作呼唤理论建设,基于"画语旋律"创作观的电影人物造型设计方法探究是适时的、系统性的电影人物造型创作理论研究。通过对"电影人物造型‘画语旋律’创作观的提出""相对静止的人物群像造型‘画语单元’设计"和"运动中的人物群像造型‘画语旋律’设计"三部分内容的研究梳理,得出能够指导我们对人物心理运动进行艺术化的视觉叙事呈现,并有力地推动影片叙事的"画语旋律"创作观念,以期更好地指导当下的电影人物造型创作实践。
For Chinese film character image design, theoretical construction is necessary. Studying on the group images design method of film characters is based on the creative concept of "Melody of Picture Language", which is rare and systematic theoretical research. This paper analyzes three main aspects of "Melody of Picture Language" : creative concept and development of Melody of Picture Language, relative static group images design of film characters based on picture language unit, and the motion group images design of film characters based on Melody of Picture Language. The conclusion is that "Melody of Picture Language" is useful in presenting characters psychological movement through artistic visual narrative, promoting story narrative effectively, and guiding the current film character image design.
出处
《电影艺术》
CSSCI
北大核心
2020年第2期136-142,共7页
Film Art
基金
2019年度中国博士后科学基金项目“中国影视剧人物造型创作与传播策略研究”(批准号:2019M652130)的阶段性成果。
关键词
电影人物造型
画语单元
画语旋律
人物群像
film character image design
picture language unit
melody of picture language
group images