摘要
“三圣傩舞”面具是当涂傩文化不可缺少的载体。“三圣傩舞”面具运用了典型化的造型手法,线条夸张有力、轮廓分明,色彩运用较为讲究比较成熟,具有强烈的装饰性、寓意性、审美性。三尊神像栩栩如生、形神兼备,历经千年流传至今,是安徽傩面具中不可多得的精品,反映了当地民俗文化的地域特点,是当地民俗文化、艺术文化的融合体,它不仅具有社会功能同时也具有较强的审美功能。
The mask of“three saints Nuo dance”is an indispensable carrier of DangtuNuo culture.Typical modeling techniques are adopted in the mask,with exaggerated and powerful lines and clear outlines.In addition,the application of its color pay more attention to maturity,which has strong decorative,moral and aesthetic features.With both form and spirit,the three statues are lifelike and have been handed down for thousands of years.They are rare fine products in Anhui Nuo masks,which reflect the regional characteristics of local folk culture and is also the integration of local folk culture and art culture.The masks have not only social function but also strong aesthetic function.
作者
马幼梅
张戈
MA You-mei;ZHANG Ge(Department of Art Design,Ma’anshan Teacher’s College,Ma’anshan 243041,Anhui,China;Academy of Art University,the United States of America)
出处
《安徽工业大学学报（社会科学版）》
2019年第6期40-41,共2页
Journal of Anhui University of Technology：Social Sciences
基金
马鞍山师范高等专科学校人文社科重点项目:“众创”环境下马鞍山传统民间工艺传承模式的创新研究(2019xizdky07)。
