“匪性”的戏谑与淡出——由莫言小说的转向浅析当下文化症候

Banter and Fading-out of“Banditry”:Analysis of Contemporary Cultural Symptoms from the Turn of Mo Yan’s Novels

21世纪以来的莫言作品表述发生变更,呈现了“匪性”戏谑与淡出的显著转变。一方面,与拉伯雷、鲁迅相对比,莫言的叙述机制转变引发了“国民性”批判视角下对当代农民生存命运的思考;另一方面,作家挖掘人性,探讨紧密联系日常生活的主题,对中国社会的当代性进行反思。“匪性”书写的演进及转变既是对中国传统历史文化的变相演绎,也是在立足民间文化的基础上反观消费热潮、审视自然,对野性生命力的再度发掘。

Since the 21st century,the expression of Mo Yan’s works has changed,showing a significant change of banter and fading-out of“banditry”.On the one hand,compared with Rabelay and Lu Xun,the change of Mo Yan’s narrative mechanism has led to the thinking of contemporary farmers’survival fate from the perspective of“national character”.On the other hand,the writer explores human nature,discusses themes that connecting closely to the daily life,and introspects the modernity of Chinese society.The evolution and transformation of the writing of“banditry”is not only a disguised interpretation of the traditional Chinese history and culture,but also an exploring of consumer boom,a view of nature,and a rediscovery of the wild vitality based on the folk culture.