摘要
符号是走近言说/书写者的有效途径。甲骨文作为古老叙事手段承载着文字与图像视觉化符号双重功能。文字符号引领我们走向理性沉思,图像邀请我们参与情感体验,进行身体感知。文化记忆具有建构性,蕴含记忆与遗忘因子,有助于解读文化遗产与书写文化。本研究立足批评话语分析的框架,糅合了语言相对主义、语言性思维与象似性理论,对甲骨文符号进行多维分析。研究发现甲骨文符号中蕴含着宇宙观、自然观与生存观,并建构了一种集体主义知识,即文化记忆,实现了彼时与此时的重逢。本研究旨在为文字符号与文化记忆的研究提供批评话语分析的视角。
Sign is an effective way to approach the speaker/writer.As a time-honored narration,oracle bone and tortoise shell inscriptions intertwine literal signs with image signs.The former ones usher us into rational contemplation,and the latter engage us in physical perception and emotional experience.Cultural memory,which is constructive,entails remembering and forgetting to provide an effective way for interpreting the heritage and the writing culture.Based on the framework of critical discourse analysis,this paper combines linguistic relativity,linguistic thinking and iconicity theory to analyse the oracle inscriptions.It is found that the oracle signs imply the view of universe,nature and being,constructing a collectively shared knowledge,namely cultural memory,and realizing the reunion between then and now.This study aims to provide a CDA perspective for the study of literal signs and cultural memory.
出处
《天津外国语大学学报》
2020年第3期56-63,157,158,共10页
Journal of Tianjin Foreign Studies University
基金
华南农业大学校长科学基金、新学科扶持基金项目“边缘话语分析”(5700-K15049)。
关键词
甲骨文
文字符号
文化记忆
语言性思维
象似性
oracle bone and tortoise shell inscriptions
literal sign
cultural memory
linguistic thinking
iconicity
