东南亚那珈信仰与影视文学创作——以泰剧《鹰与蛇》为例

The Naga Beliefs Embodied in the Creation of Movie and Television Literatureof Southeast Asia——Take Thai TV Play“Kasanakha”As an Example

东南亚影视文学中,那珈题材的影视剧越来越受到关注。那珈影视剧蕴含丰富的宗教文化知识,主要包含那珈信仰和南传佛教。以泰剧《鹰与蛇》为例,该剧运用“那珈城”“加鲁达擒那珈”和“那珈请求出家”等传说,以及中南半岛人关于那珈与鬼信仰深层关联的文化思维作为基本情节设置的根据,剧情的发展创作则融入佛教出家习俗和业报轮回思想,展现那珈与佛教信仰的关系。以《鹰与蛇》为代表的东南亚那珈剧在给观众带来娱乐的同时,表达了南传佛教国家原始那珈信仰的传承,也彰显着人们对佛教信仰的推崇。

Among all the types of movie and television literature of Southeast Asia,the movie and television plays themed with Naga have attracted more and more attention. The Naga movie and television plays contain rich religious culture and knowledge,including Naga beliefs and the Southern Buddhism faiths. Taking the Thai TV play"Kasanakha"as an example,this play applies several legends such as"the Naga City","Garuda captures Naga","Naga requests to be a Buddhist monk",and the Indochina Peninsula people’s cultural thinking to the deep connection between Naga and ghost beliefs to be the basic plot settings. As for the creation of the plot progressed,the play integrates the Buddhist monastic customs,the Buddhism karma and samsara thought to illustrate the relationship between Naga and the Buddhist beliefs. The Southeast Asian Naga TV plays,represented by"Kasanakha",not only entertain the audiences,present the inheritance of the original Naga beliefs in the Southern Buddhist countries,but also demonstrate Thai people’s worship for Buddhism.