摘要
村上春树是20世纪后期以来日本的代表性作家,其小说广受年轻女性群体欢迎的一大原因是,他在作品中揭露了女性受到传统男性威权的压迫并表现了她们的反抗。男性将女性作为审美工具、性消费品,在身体上和美学关系上对女性进行征服。作为回应,女性或伪装坚强,或伪装幸福,而最根本的应对是积极生活,打破威权。从女性主体所遭受的威权表现与其反抗方式两方面,可以还原村上小说中男性威权下的女性群像。
Haruki Murakami is a representative writer of Japan since the late 20th century.One of the reasons why his novels are popular among young women is that he reveals the oppression of traditional male authoritarianism on women and their resistance.Men use women as aesthetic tools,sexual consumer goods,and conquer women in physical and aesthetic relationships.In response,women either pretend to be strong,or pretending to be happy,and the most fundamental response is to actively live and break the authority.From the two aspects of the authoritarian performance and the resistance method suffered by the female subject,the female group under the male authoritarian power in Murakami's novels can be restored.
作者
吴鹏
WU Peng(College of Literature,Tianjin Normal University,Tianjin 300387)
出处
《牡丹江大学学报》
2020年第5期34-37,共4页
Journal of Mudanjiang University
关键词
村上春树
男性威权
审美工具
性消费品
反抗
Haruki Murakami
male authority
aesthetic tools
sexual consumer goods
resistance