摘要
作为明末清初著名的书画家,恽寿平开创了没骨花卉画的独特画风,成为清代花鸟画风格的主流,是常州画派的开山祖师。他将文人写意花鸟画的用笔、用墨以及构图方式,融入到没骨花鸟画中,清雅别致,清新脱俗,被奉为清代初期花鸟画的正宗,形成了“恽派”,在中国艺术史上留下了浓重的一笔,在我国花鸟画发展史上占有特殊的地位。
As a famous painter in the late Ming and early Qing dynasties,Yun Shouping created a unique style of boneless flower painting,which became the mainstream of the style of bird and flower painting in the Qing Dynasty.As the founder of the Changzhou School of Painting,he integrated the brush,ink and composition of the literati's enjoyable flower and bird painting into the boneless bird and flower paintings,making it elegant and chic,fresh and refined.Considered as the authentic flower and bird painting in the early Qing Dynasty,he formally formed Yun School,which has left a strong imprint on the history of Chinese art and played a special role in the history of the development of flower and bird painting in China.
作者
杨玉红
YANG Yu-hong(Heilongjiang Preschool Education College,Mudanjiang Heilongjiang 157011)
出处
《牡丹江大学学报》
2020年第5期121-124,共4页
Journal of Mudanjiang University
关键词
恽寿平
没骨花
花鸟画
艺术
创新
Yun Shouping
boneless flower
flower and bird painting
art
innovation