摘要
敦煌壁画是我国宝贵的文化遗产,其中火焰纹的发展贯穿了敦煌艺术的始终,梳理了火焰纹样的发展历程,从色彩和形式分析其外形特征,结合相关的敦煌壁画在服装上的实例进行火焰纹的重新设计并应用软件进行绘制,提出了设计后的火焰纹与针织物的结合方式。随着人们审美观念的不断变化,火焰纹的设计要从历史与现代两者角度出发,才能更好地传承敦煌文化。
Dunhuang mural was a precious cultural heritage in China,and the development of flame grain ran through the whole process of Dunhuang art.The development history of the flame grain was sorted out.The shape characteristics of flame grain were analyzed from the color and form.The flame grain was redesigned and painted with software based on the application of relevant Dunhuang mural in clothing.The way to combine flame grain and knitted fabric was proposed.With the continuous changes of people′s aesthetic ideas,the design of flame grain should be based on the historical and modern perspectives,so as to inherit Dunhuang culture.
作者
司宇
SI Yu(College of Textile and Garment Design,Changshu Institute of Technology,Changshu 215500,China)
出处
《纺织科技进展》
CAS
2020年第5期25-28,41,共5页
Progress in Textile Science & Technology
关键词
敦煌壁画
火焰纹
设计
针织物
应用
Dunhuang mural
flame grain
design
knitted fabric
application
