摘要
以芦扉花布为例,整合其纹样的视觉信息,以纹样基元为设计基础,从中吸取设计创作灵感,保留土布纹样的特点及装饰魅力,设计出拥有自身话语权的纹样样式。传统土布纹样"有之以为利,无之以为用"在文创产品设计中的创新应用,是非物质文化遗产传承与保护的探索,同时,其人文情感和当代审美情趣的结合,使文创产品以更生动的形态开拓市场,实现新的价值。
It takes reed flower cloth as an example to integrate the visual information of the pattern,with the pattern element as design basis,it can attract the inspiration of design and creation from it,keep the feature and decorative charm of cloth,and design the pattern with the translation speaking right.The innovative application of traditional cloth pattern for "benefit with it,usage without it" in the design of cultural and creative product is the exploration on the inheritance and protection of translation intangible cultural heritage,and meanwhile,with the integration of humanistic feeling with modern translation aesthetic taste,the cultural and creative product can open the market with more vivid form to create new value.
作者
郝隽
宋珍珍
Hao Jun;Song Zhenzhen(Nantong Vocational University,Nantong 226000,China)
基金
2019年度南通市社科基金项目“深化南通地方文化研究--南通色织土布纹样基元的信息视觉化研究”(2019CNT047)
关键词
色织土布
纹样基元
文创设计
芦扉花布纹样
yam-dyed cloth
pattern element
design of cultural and creative
reed flower cloth pattern