摘要
本文从艺术批评史的角度梳理了“逸品”理论的发展脉络,研究了“逸品”之“逸”的发展演进历程以确定其在中国传统美学中的地位;明确“逸”作为“发源于人格美的评赏”的“美的范畴”的审美内涵,探讨了“逸品”理论的体系性发展和这一理论由书法绘画领域的审美评价向其它传统艺术品类审美价值评价的影响过程,以肯定“逸品”审美评价对中国传统文人艺术创作的巨大影响。
The paper analyzed Yi-pin Theory's development and its evolution;then it makes clear its position in the history of Chinese traditional culture.In this way it confirmed the theory's aesthetic connotation and its value in the history of Chinese art.Then,The paper concluded that"Yi-pin"is the highest aesthetic paradigm to make Chinese traditional art a huge achievement.
作者
梁红燕
LIANG Hong-yan(Teaching Department of the Ideology and Politics,North China Electric Power University,Beijing 102206,China)
出处
《华北电力大学学报(社会科学版)》
2020年第2期101-107,共7页
Journal of North China Electric Power University(Social Sciences)
关键词
逸
逸品
审美意象
Yi
Yi-pin
aesthetic imagination