从戏曲“看点”生成谈“该怎样编剧”

Discussion on"How to Write A Play"from the Generation of"Watch Points"in Drama

好戏必然是好看的戏,而看点则关系戏曲的舞台生命。故事和技艺构成了看点的两大支撑。这样,戏曲编剧就可以从两方面入手,围绕看点生成打造剧本:一是在内容角度,戏曲应该围绕"体验",遵从情感逻辑,挖掘最能动人的"点"或"段"入戏;二是在表现形式角度,戏曲应该围绕"唱念做打"等技艺,从利于、便于看点生成的角度打造剧本,叙述故事。而这又给戏曲编剧提出了"打通"要求,只有兼通编、导、演等多种技艺,戏曲编剧才能超凡脱俗,臻于化境。

Good play is necessarily a good play,and the point of watching is related to the stage life of opera.Story and art form the twopillars of the story.In this way,drama scriptwriters can start from two aspects and build the drama around the creation of points of view:First,from the perspective of content,drama should focus on"experience",follow the emotional logic,and dig the most moving"point"or"section"into the play;Second,from the perspective of form of expression,opera should focus on"singing,reading,doing and fight-ing"and other skills,from the perspective of conducive to,easy to see the formation of the script,narrative story.And this has put for-ward to the drama scriptwriter"get through"requirements,only with the general compilation,director,performance and other skills,dra-ma scriptwriter can be transcendent,to achieve perfection.