从景龢堂到缀玉轩——梅兰芳藏珍稀戏曲钞本述论

From The Jing He Tang to The Zhui Yu Xuan:On The Notes of Mei Lanfang's Rare Opera Scripts

在"梅学"的众多领域中,从戏曲文献和戏曲史的角度来说,梅兰芳缀玉轩的戏曲文本文献收藏是学界长期以来关注的核心。这批钞本是活的文本文献,是在历史时空中"唱响"和"回荡"过的文本文献。从景龢堂到缀玉轩,这些文本文献是京剧二百多年发展变化的文学见证和舞台"影像"。梅兰芳缀玉轩藏曲,不是孤立的文献收藏,而是与梅兰芳剧目选择、梅兰芳表演艺术紧密相关,所以梅兰芳缀玉轩藏曲的价值不仅在于戏曲历史、戏曲文本文献方面,还在于它是梅兰芳艺术的有机构成部分。

In many fields of"studies of the Mei Lanfang",from the perspective of traditional Chinese opera literature and history,the traditional Chinese opera texts by Mei Lanfang's collection has been the core of academic circles for along time.These manuscripts are living texts of Chinese opera,that have been"sung"and"echoed"in historicaltime and space.From Jing He Tang to Zhui Yu Xuan,these texts and documents are the literary witness and stage"image"of the development and changes of Beijing Opera and opera over the past 200 years.The collection of Mei Lanfang is not an isolated document collection,but closely related to the choice of Mei Lanfang's plays and Mei Lan-fang's performing arts.Therefore,the value of Mei Lanfang's collection of opera texts is not only the history of opera and the literature of opera texts,but also the organic composition of the whole art of Mei Lanfang.