从“声乐跨界”现象看我国声乐艺术的发展趋势

On the development trend of vocal music art in China from the perspective of“vocal cross-border”phenomenon

从语义学角度对“跨界”进行了词源分析,揭示了“跨界”的内涵与本质,进而引向“声乐跨界”这一话题。通过对我国声乐跨界历史脉络的梳理,找到当代语境下声乐跨界的理论根基及其在当代的表象。依据我国当前的文化发展态势和艺术发展规律,洞见我国声乐的发展趋势,以利于理解声乐审美观念和声乐艺术行为。

This paper analyzes the etymology of“crossover”from the perspective of semantics,reveals the connotation and essence of“crossover”,and then leads to the topic of“vocal crossover”.By combing the historical context of cross-border vocal music in our country,we can find the theoretical foundation of cross-border vocal music and its representation in the contemporary context.According to the current situation of cultural development and the law of artistic development in China,we can see the development trend of vocal music in order to understand the aesthetic concept and artistic behavior of vocal music.