冯梦龙编剧学理论初探——以《墨憨斋定本传奇》为例诠释

A Preliminary Study of Feng Menglong’s Scriptwriter Theory:Take the legend of Mohanzhai as an Example

冯梦龙是明末著名的文学家,也是颇有成就的戏曲家。他自创传奇两种,整理改编《墨憨斋定本传奇》十二种,其曲论散见于他为改定本写的序和总评中,涉及编剧、表演、导演等诸多方面。他主张"曲以悦性达情"的创作意识,提出"推陈致新""化腐为新"的理论主张,坚持"情节可观"的改编标准,并以"穷极离合之情"作为人物塑造的要求之一。

Feng Menglong was a famous writer in the late Ming dynasty,he is also an accomplished performer.He invented two kinds of legends,to sort out and adapt the legend of Mohanzhai,his song theory is scattered in the preface and general comments he wrote for the revision of the final text,it involves screenwriting,acting,directing and many other aspects.He advocated the creative consciousness of"the music reaches the feeling with the joy",put forward the theory of"pushing the old into the new"and"turning the rot into the new",adhere to the adaptation standard of"considerable plot",and the"extreme separation of the poor"as one of the requirements of characterization.