摘要
展子虔的《游春图》是张伯驹先生卖了自己的豪宅,花了十五根金条买下的。中华人民共和国成立后,张先生将其捐献给了国家。傅熹年先生写了一篇《关于"展子虔〈游春图〉"的年代的探讨》,提出《游春图》是摹本,而非真迹。然而,傅先生否定《游春图》的突破口选错了,他从幞头、斗栱、鸱尾、兽头的时代特点来否定《游春图》,也都不能成立。从山石、树及构图上看,《游春图》非常符合隋代山水画时代特色,再结合赵佶的题签,将其定为展子虔作品是合理的。
ZHAN Ziqian’s Images of Spring Outing was bought by Mr. ZHANG Boju by selling his mansion and fifteen gold bars. After the founding of the People’s Republic of China, it was donated to the country. Mr. FU Xinian wrote a Discussion on the Age of "ZHAN Ziqian’s Images of Spring Outing", in which he proposed that Images of Spring Outing is a transcript, not an authentic one. However, Mr. FU was wrong at the breakthrough of Images of Spring Outing. He denied the Images of Spring Outing from the characteristics of the times of scarf, Dougong Brackets, Chiwei, and beast head. Judging from the mountains, stones, and image composition, Images of Spring Outing conforms to the characteristics of the Sui Dynasty landscape painting. Furthermore, it is reasonable to identify it as ZHAN Ziqian’ s work when combine it with ZHAO Ji’s inscription.
出处
《艺术探索》
2020年第2期6-29,共24页
Arts Exploration
基金
2019年度教育部哲学社会科学研究后期资助项目“古书画鉴定论”(19JHQ045)。
关键词
展子虔
游春图
幞头
斗栱
鸱尾
ZHAN Ziqian
Images of Spring Outing
Scarf
Tou-Kung Brackets
Chiwei