由《说文解字》的几个版本论到篆书创作中的字书运用

Discussion from the Several Versions of Paraphrasing Texts and Words to the Use of Calligraphy in the Creation of Seal Scripts

《说文解字》平津馆本为存古而作,虽不便寻检,但其手摹篆文之刊刻颇清劲古雅。《说文解字》陈昌治校本一篆一行,查阅便易,其刊版篆文却略逊于平津馆本,所附黎永椿《说文通检》乃检字法上的一大进步。以陈昌治校本为底本的中华书局1963年新印本及2013年新版,则为书者检字提供更大方便。今日之篆书创作六书不讲,用字不尊古法,正因为书者过分依赖检字而不通悉六书。字书在提供检字之便的同时,其篆文也因书写、刊刻之不同,给书者以创作审美上的资鉴。

Paraphrasing Texts and Words in Pingjinguan Book Series was the preservation of ancient times. Although it is inconvenient to find out, the handwritten inscriptions are quite fresh and elegant. CHEN Shuzhi’s proofread version of Paraphrasing Texts and Words is easy to read, but it’s pablished version is slightly inferior to that of Pingjinguan Book Series. The attached LI Yongchun’s Proofreading of Texts and Words is a major improvement in the method of checking the characters. The new 1963 s and 2013 s editions of the Zhonghua Book Company, based on CHEN Changzhi’s proofread version, provide greater convenience for the authors to check the characters. Nowadays, creation of seal scripts ignores six books, and does not stick to the ancient methods by using words. It is precisely because the author relies too much on word checking instead of learning the six books. While the character book provides the convenience of checking the characters, its seal inscription is also different from writing and publishing, which gives the author the aesthetic appreciation of creation.