欲望的原始运作与崇高感的显现——利奥塔关于克利绘画的美学阐释

On the Original Operation of Desire and the Appearance of Sublimity: Study on Klee’s Paintings from Lyotard’s Philosophical Perspective

在法国思想家利奥塔看来,现代抽象表现主义画家保罗·克利的线条显示了话语性空间同图形性空间相互侵越的过程,展现了欲望的原始运作;同时,作为线条所欲望的"他者"的色彩出现在克利绘画中,最终以不可见的"力"展示了崇高感。借由线条与色彩,利奥塔要在克利艺术和当代哲学之间建立起反对理性逻格斯、解构"主体"的联盟。

In Lyotard’s view, Klee’s lines imply that the space of discourse had been intersecting with the space of figure, and showing the original operation of desire;Meanwhile, as the "Otherness" desired by the line, the color appeared in Klee’s paintings had been proved the existence of the "sublime" depend on invisible energy(Libido). Based on lines and colors in Klee’s paintings, Lyotard wants to establish an alliance between Klee’s art and the contemporary philosophy for fighting against the traditional rational logic and deconstructing the "Subject".