从乡土走向城市的壮族山歌——城市壮族山歌表演空间与歌唱表述的当下变迁

On The Movement of Zhuang Folk Song from the Countryside to City--Urban Performance Spaces and Changes of Expression in the Traditional Strophic Singing of China’s Largest Ethnic Group

随着国家城乡一体化的建设和进城务工人员的增加,壮族山歌开始从乡土走向城市,从"边缘"走向"中心",与城市其他类别音乐文化活动和谐共融,让城市日趋成为歌唱传统延续和发展的崭新空间。城市壮族山歌反映着壮族群体从乡土走向城市之后所形成的世界观、价值观和人生观,也是他们表述世界的独特方式,更是族群成员建构历史记忆与族群认同的一种有效途径。

With the modernization of rural areas through policies focusing on the integration of the city and countryside and the increase of workers migrating to cities in southern China,Zhuang folk song has traveled from peripheral regions to more central urban areas.These forms of Zhuang singing have harmoniously blend with other types of music and cultural activities in cities,turning the city into a new site of traditional music transmission and development.Urban Zhuang folk song is a reflection of the post-migration worldview,system of values,and thought processes of those Zhuang who have moved from the countryside to the city.Urban Zhuang folk song reflects how members of a given ethnicity construct historical memory and a kind of channel through which ethnic identity can be established.