从赵之谦旅居福州时期金石书画看其书风印风嬗变

The Transmutation of Zhao Zhiqian’s Calligraphy and Sealstyle from his Jinshi Calligraphies and Paintings during his stay in Fuzhou

赵之谦是晚清时期著名的书画篆刻艺术大师,在其艺术生涯中,篆刻与书法作品皆取得了重大成就。他在经历了师法、继承古人与前人后,自成一格,在晚清艺坛可谓是独树一帜。其一生中,因"太平天国"运动的爆发,曾致使其避居温州、福州一段时间。而在这一段避居生活中,因生活场域的变化而促使其个人交游的改变,亦对其印风和书风的变化产生了影响。通过对其在福州时期所作金石书画与其进京后的代表作品进行梳理与对比,我们可以清晰的发现其书法与篆刻风格发生了巨大的变化,从而给予其旅居福州时期在其艺术生涯中所占重要位置的认定。

Zhao Zhiqian was a famous master of seal carving in calligraphy and painting in the late Qing Dynasty.In his artistic career,both seal carving and calligraphic works made great achievements.He was unique in the late Qing Dynasty art circle after experiencing teaching,inheriting the ancients and predecessors.During his lifetime,because of the outbreak of the"Taiping Heavenly Kingdom"movement,he had to live in Wenzhou and Fuzhou for a period of time.In this period of avoidance life,the change of personal communication caused by the change of living field has also influenced the change of its carving and calligraphy style.Through combing and comparing his Jinshi Calligraphy paintings made in Fuzhou period with his representative works after entering Beijing,we can clearly find that their calligraphy and seal carving styles have changed greatly,thus giving them the recognition of their important position in their artistic career during their residence in Fuzhou.