民国广西词学的新变

New Changes of Guangxi Ci Poetry in the Republic of China

民国时期的广西词学呈现出新旧并存的格局,表现在创作主体的新旧融汇,内容上的开拓新题材,艺术上的新探索,传播媒介上的新媒体。他们既精彩总结传统词学,继承、弘扬和确立了临桂词派“重拙大”的词统,又大胆解放词体,提出并实践“自由词”等现代词创作,整体呈现出新变格局,体现了民国时期广西词坛的词学典范及审美标准.

In the period of the Republic of China,Guangxi Ci presented a pattern of the coexistence of new and old,which was manifested in the integration of new and old creative subjects,the development of new subjects in content,new exploration in art,and new media in the media.They not only summed up the traditional Ci,inherited,carried forward and established the Ci system of“Zhong,Zhuo,Da”in Lingui Ci school,but also boldly liberated the Ci,put forward and practiced the modern Ci creation such as“free Ci”.They presented a new pattern,and embodied the Ci model and aesthetic standard of Guangxi Ci world in the period of the Republic of China.