梅洛-庞蒂审美深度问题研究

A Study of Merleau-Ponty’s Aesthetic Depth

深度概念在梅洛-庞蒂早期思想中主要集中于对“身体—空间”层面的论述,以视觉深度作为出发点返回以身体为主体的原始知觉世界,追溯身体空间的本源性。到了后期,审美深度逐渐从视觉转向存在层面,通过对比塞尚和传统古典画派的绘画方式和理念,揭示了塞尚让颜色取代线条、使轮廓让位于深度,从而使世界的存在显现出变革性,这也意味着梅洛-庞蒂从身体主体向“世界之肉”哲学重心的转移,由此,深度从一个视觉维度生成了一切存在可能发生的原始条件。

In Merleau-Ponty’s early thoughts,the concept of depth mainly focused on the body-space level,returning to the body as the main body of the original perception world with visual depth as a starting point in order to trace the origin of body space.In the later stage,the aesthetic depth gradually shifts from visual to existential by comparing Cézanne’s painting methods and concepts with those of traditional classical painters,which reveals that Cézanne lets the color replace the line,giving the contour a depth,so that the existence of the world appears to be transformative.This also means that Merleau-Ponty’s shift from body subject to the philosophical focus of“flesh of the world”.As a result,depth has changed from a visual dimension to the primitive condition of all possible existence.